Have you ever wondered what Pu-erh tea is. We look at what Pu-erh tea is and if it has any health benefits. Is it better for you than other teas. And does it have any side affects you need to know about. We also have a brief guide on how to brew your own cup of Pu-erh tea.
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Chaos Walking ending fight scene
Chaos Walking 2021 Final battle Tom Holland as Todd
The end of Chaos Walking Tom Holland scene
The end of Chaos Walking confirms that Viola’s ship, which is carrying 4,000 people, has officially landed in the new world. Through the window of the ship, it can be seen that the Second Wave of settlers is already unloading their resources and gear, ready to establish a new home for themselves.
Chaos Walking closed out many plotlines in its final act. We break down the ending of the film and explain the real meaning behind the film and more.
The ending of Chaos Walking wrapped up some plotlines, but left a few open-ended with many questions still unanswered. Directed by Doug Liman from a screenplay by Patrick Ness and Christopher Ford, Chaos Walking was in development for a long time. Originally announced in 2011, the film adaptation, which is based on the first book in the Chaos Walking trilogy by Ness, was revised and didn’t begin filming until 2017. Reshoots and the filming schedules of stars Tom Holland and Daisy Ridley delayed the movie even further. Now that it’s finally been released in theaters, the film’s finale can be further explored.
Todd and Viola spend most of their time together on the run from the mayor and the townspeople under his control. Prentiss is hellbent on killing Viola, convinced that all women must die and that it’s in the nature of men to deliver the final blow. The film’s ending leaves one hopeful that things will be better for Viola and Todd moving forward and it leaves the door open for a potential sequel. Here’s the ending of Chaos Walking explained.
The Real Meaning Of Chaos Walking’s Ending. Chaos Walking presents themes about toxic masculinity, the measure of a man through his use of violence, power and hierarchical control, and gender politics. Aaron, the preacher of Prentisstown, sneers at Todd for his thoughts and his inability to control them, calling him “weak like a woman.” This alone establishes the townspeople believing men are inherently superior to women and that women are not as strong as men. While obviously untrue, this line of thinking drives the actions of Aaron, Prentiss, and the rest of the men in town, who are quick to reach for their guns and other weapons in the hunt for Viola.
There’s an underlying idea that men must rise to the occasion of violence and lean into what they believe to be in their nature. This is how they assert themselves constantly throughout the film, willingly accepting something they could, in fact, control if they wanted. Viola’s arrival and the discovery of other towns that include both men and women living amongst each other proves how warped the thinking of Prentisstown’s men actually is. The fact that Farbranch is governed by a woman dispels the very ideas they work to uphold without thought. Plus, without Viola, Todd would have never bothered to learn the truth and her presence helps him discover that the things he was taught growing up are wrong. Prentiss wields his abilities with the Noise and encourages the use of violence so long as he’s leading the charge, keeping him in power. Chaos Walking’s use of toxic masculinity and ideas regarding violence being innate are seen as the root of the town’s problems and critiques them as such, offering commentary on the ways in which it can harm and destroy.
In the not-too-distant future, Todd Hewitt discovers a mysterious woman who crash-landed on his planet. It’s a dystopian world where all the females have disappeared, and all the men are afflicted by a force that puts their thoughts on display. Vowing to protect her, the duo must navigate dangerous terrain as Todd discovers his inner power and unlocks the planet’s dark secrets.
Rating: PG-13 (Violence and Language)
Genre: Sci Fi, Adventure
Original Language: English
Director: Doug Liman
Producer: Doug Davison, Allison Shearmur, Erwin Stoff, Alison Winter
Writer: Patrick Ness, Christopher Ford
Release Date (Theaters): Mar 5, 2021 Wide
Box Office (Gross USA): .5M
Runtime: 1h 49m
Production Co: Creative Wealth Media Finance, 3 Arts Entertainment, Quadrant Pictures, Bron Studios
Sound Mix: DTS, Dolby Digital, Dolby Atmos
Aspect Ratio: Scope (2.35:1)